Patient 06 – “advertisement”

Found an old text advert for 06 that Hawk had apparently written up.

Far away from any cities, there lies a mental asylum hid from most but those who know the ones who lay inside. It is at this very place that the daughter of a man arrives, visiting her dear father once more. But on her arrival she finds not her father, but a flashlight and an abandoned building with not a soul in sight… yet her path is barred by the door that so easily once let her in. Soon, she travels upwards with little elsewhere to go.

*Real-time tile based lighting system with support for multiple light sources and lights blocked by walls. Runs at a solid 30 frames per second.

As she travels down the empty halls with little indicating her progress, she begins to hear a sound from somewhere else in the building. Might others still be around? The sound grows closer, she discerns that it’s coming from her right. Soon she can make it out: footsteps. Soon she hears a creeking door from the same direction. As they grow closer she panics and begins to run.

*Hear where the monsters are without seeing them with a sound system that accuratley sets volume and panning based on enemy direction.

As she runs the steps grow ever louder, echoing throughout the empty building. As she runs she notices lockers attached to the walls, seeing no other alternative she quietly opens one and slips in as her heart races. She looks out from within it and hears the footsteps passing, as whatever it is goes by she hears a gruff cough and then an inhuman growl. But soon it is gone from hearing. Slowly her pulse slows as the pressure fades.

*Anxiety bar system, the bar never goes down every 10 increments and the slightest scare can make it go up. Fortunatley you can bring it down by hiding in a secluded spot, but good luck cheating it when there is no saving. At 100, it’s game over.

After enough time has passed, she slowly opens the locker door and departs from the site, moving further up the abandoned building. As her quiet footsteps echo across the floor she suddenly hears a crunch. She looks down to see crushed glass beneath her boots. A growl is heard faraway. Backing away from the glass, her bootsteps seem increasingly loud as she walks, the footsteps of the creature growing louder at the same time. When she stops, the other footsteps stop.

An idea comes into her head and she takes her boots off, tiptoeing around. The other footsteps are still gone. Congratulating herself she breaks into a run only to find a stabbing pain in her foot, looking down and holding back a yelp she finds her feet bleeding among shards of glass. A sniffing is heard. Panicing, she runs through the glass, letting out a yelp once the pain gets enough to her. A growl. The sniffing.

*Variety of monsters that hunt with advanced AI by sight, smell, sound, and more.

Her heart beats ever faster, the footsteps and sniffing growing closer. She can hear a licking nearby, back where the glass was. Directly in front of her she hears the scraping footsteps that pause from time to time, listening for her. She runs into something, it’s icey cold. Hands. She screams and something clammy clasps her feet, she trips and falls down. She puts forth an effort to get up, but the almost-dead feeling limbs keep her clamped down. Then.

Darkness.

*Dynamic music that changes based on the situation along with an always-changing environment to make every playthrough different.

Coming 2006.

Programming – SDHawk
Graphics – Sew
Music – Drule

Chaos Eater – Colors Scenario 1

First pass at the colors for the characters in the first scenario. Need to make a few adjustments on the intensity for a couple of them. Other than that, no complaints so far. 

Animations are limited frame-wise and sometimes feel kind of cheap because of it, but I’m glad I stuck with my guns because the end results are sometimes pretty magical. (plus the time thing)

Chaos Eater – Dioramas and Decisions

For a game I keep saying is my ‘top active project’, I sure don’t talk about or work on it any. I wind up taking large breaks while Hawk toils away in the salt mines, shifting all the walls. What this game visually is has changed a great deal since the start, and ended up landing at dioramas.

So to start, our tiles are weird, did you notice? They’re isometric from the top on two planes, but also cubes so they have to be drawn a very specific way to line up. It took me a little bit to get accustomed to it, but it gives the game this.. unique feel to it. It’s the same style of maptile that we used in Magical Unicorn Adventure, so my adjustment time really wasn’t unlike riding a bike. MUA being a depthless-sidescroller meant that I built those levels and tiles very differently, and they fit in a lot less for that style of game. I achieved more character and sense of place from the backgrounds in that game than from the tiles or level design. Chaos Eater on the other hand I think of as a series of little dioramas because I get to flesh out Z-axis this time as opposed to just the X and Y.  Hawk has made a pretty great little editor that isn’t lacking in features for this cause either. It’s very impressive to me that he even found a way to make editing a map with these unique maptiles simple. I don’t give him the proper praise for his ideas sometimes, but he usually has his finger on the pulse of ‘what I need’ to get work done long before I even realize it. (the worst is when he asks if I’d like X or Y to be added and I say ‘no why would I nee that’ only to realize a few days or weeks later that ‘shit how do I make this look like it was my idea’)

 

Continue reading “Chaos Eater – Dioramas and Decisions”

Patient 06

This game has become slightly more relevant recently as it served as base-inspiration for our Dreamhack entry Sins of the Past. Patient 06 was planned to release on 6/6/06 but never saw the light of day.

Super old sketch, probably done at school during some class

This game was our third and final-for-a-decade attempt at a light-system game. I knew the light system from Project C made my art look better with assisting me fake depth, and I learned from Train that light made my dithered edges look pretty sweet.  Unluckily though I was a terrible terrible pixel artist who just dithered the fuck out of everything, not to hell but beyond stylistically, you know? It got a little overboard with this project. I definitely didn’t do the light any favors by picking this weird, awkward tile style. I remember being really proud of it at the time, but looking back it reminds me of the Nightmare on Elm Street DOS game, except that game had the good sense to have some character and not assume that any shortcomings in the art would be fixed magically with light.

The plot of this game is silly. It’s about a daughter who is going to visit her father in the psych ward of some “crazy person” hospital, and he’s in cell 06, and he’s patient 06. Upon arriving you find his cell empty except for a cryptic note, then the game starts proper. Or something like that, we didn’t completely get around to fleshing out all of the plot (which was mostly my task). It had a bunch of different versions, but the one that was developed the furthest just feels like a rehash of Project C. Frustratingly lost in a maze of darkness solving boring door-key puzzles while attempted to avoid the real meat & potatoes of the game, the enemies.Continue reading “Patient 06”

Video Memories

Video Memories is the first game made under our Crab Attack title. Not really sure if that means anything, but it’s like, trivia, or something. It was made for the maiden Asylum Jam in 2013, a contest with only one rule:

“You should not use asylums, psychiatric institutes, medical professionals or violent/antipathic/’insane’ patients as settings or triggers.”

VM was made in 48 hours, because we either really hate ourselves or can only manage to finish things under pressure. I wrote the script, built the house, did the art, decided the dialogue triggers, made a font.. the game really reeks of me. I had fallen in love with this sort of ray-casted  visual effect that they used in Wolfenstein3D. It hadn’t dawned on me that it could be used for spooks until I played Judith around 3 years earlier, and told myself if I could ever convince Hawk to do a silly horror game for a ‘jam’ that was the direction I wanted to take it visually. Looking back on the style now, it’s a fucking anti-aliased nightmare that shows I was really more focused on my narrative than I was the visuals.Continue reading “Video Memories”

HelloWorld.Gif

Bloody hammer

This is the first screenshot I ever remember taking. It’s from the non-existent Zombie Shovel Whack (mentioned briefly here). I’m not completely sure if the screenshot ever got posted anywhere or if it was just something I did to share with Hawk.

The sprite itself wasn’t made by me, either. My first real internet friend, Cloudburst64, had made it originally. I heavily based the sprite I used for the ZSW demo on his work since I was really poor with walkabouts. I didn’t restructure this sprite style into my own until I made a “real game“. Almost all demo games I made at the time have some remnant of a sprite with these proportions.

Once Upon a Ninja – Poster

What joy it gives me to see this image

Taken from the readme file included with this gem:

Once upon a ninja is a game about Aya’s quest to find treasure, in order to save her starving village. The actual game revolves around Aya sneaking around a castle, trying to gain three treasures. Once she gets all three she can return to her village with them. But in order to get them, she must avoid being seen by the guards.

After you beat the game, you’ll be given a rank based on how fast you beat the game and how many times you’re caught. There are five ranks in all, try to get an A!

Based upon the fairy tale, “Jack and the Giant Beanstalk”

We’ll piece this a part in greater detail soon.